Tuesday, October 13, 2009

The House of the Devil (Review)

The House of the Devil

The House of the Devil (2009)

Directed by Ti West

It's very odd that this decade, the 2000s have all been a haven for the throwback, remake or homage movie. We get sentimental for different decades, the 70s and 80s we deem as the golden age sometimes. This very much is the case within horror.

I am not a child of the 70s, but I did watch the cinema of the time. When I first got into horror, I figured I should self-educate and watch the best of the best. The Exorcist, Rosemary's Baby, The Omen, etc. And after watching all these movies, I never knew why people were so obsessed with the occult and the Satanic worship at the time.

But Ti West wants you to get reacquainted with that devil fear all over again. With The House of the Devil, he basically takes that slow burn, jump scare and evil Satanic worshipping frozen dinner and reheats it for you, complete with the side of gory red pudding. West does nothing new to this genre of film, but instead adds some gorehound delights and nostalgic 80s soundtrack to complete a good homage, nothing more and nothing less.

The House of the Devil is a throwback glimpse into a plodding pace that is all atmosphere based which eventually leads to an over the top, metal music cacophony of chaos ending. If you you remember these movies fondly, you'll love this movie. If you're a tween or were born in the 90s, this is a movie where may you spontaneously develop ADD.

I found myself caught in the middle. And I'll tell you why.

Boring Plot-O-Matic

In the 1980s, college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret; they plan to use her in a satanic ritual.

Awesome Review-O-Matic


Let's just start off with what I liked. I loved the vintage 80s opening credits, from the fonts to the freeze frame credit sequences. West spares no expense to get you back into acid washed jeans and Charlie's Angels hair. The soundtrack keeps this going with very montagey music that blends into the film. As Sam blasts her oversized Walkman, we hear music from new wave to metal (thank the Gods of Fire for that). Later, we even get a gratuitous 80s montage set to "One Thing Leads to Another" by The Fixx. It's all these things that gave me a happy because nostalgia is an intoxicating drug for any movie fan.

Here is where we go grey. Sam (Jocelin Donahue) is that everyday poor, struggling college student. She's got a horny, slobby roommate which is the reason she decides to move off campus. She soon takes a babysitting job located in backwoods, USA and she and her friend Megan are off to meet the lovely but ultimately evil Mr. and Mrs. Ulman.

Act 1 is all set up as we play meet and greet with our heroine Sam. Donahue looks like a cloned Danielle Harris. West allows us to see her uninteresting life in the most aggravating of ways. Scenes of watching Sam walk from place to place, with juxtaposition closeup shots of a clock tower followed by more long walks and scary payphones. I have totally forgotten how yawny boring these long shots and scenes of nothing can be. (Can somebody tell me if this is how these 70s/80s Satanic movies were filmed back then? I honestly don't remember. But I get the feeling West makes sure we get the same feel as those movies. The mega slow burn is in effect. You better drink a Red Bull.)

Act 2 begins when Sam decides to take the babysitting job which turns out to be not a babysitting job. Mr Ulman (Tom Noonan, who does a decent job as the creepy undertaker-like guy) explains the rules and coerces her with more money.

We the viewer get painstakingly a collection of scenes of Sam snooping all over the house. Some scenes (especially shots of her through a window are glorious throwaway shots of old). But more so, we get Sam being scared of her friend's answering machine (complete with that 80s pretend voice message), Sam scared of the pizza guy, Sam scared of the bathroom, Sam scared of the creepy attic. West spares no expense who amp up the bass to get you to jump out of your seat. Think of the "Don't!" trailer and this sums up Act 2.

Check out an example of the slow burn suspense in this clip below.





Act 3 which takes about an hour and 10 minutes to get to is filled with bloody uber chaos. Motive is explained by our diabolical couple and their homicidal son tries to go, well homicidal on Sam. Satanic rituals are in effect with that Satanic star, that Satanic animal skull and that Satanic blood drinking and human sacrifices. In all these movies, they end one of two ways. Somebody gets shot or jumps off the roof of the house.

Like I said before, West throws in more gore and splatter than these movies usually have. Gore-ipedia includes a very stellar gunshot to the face, ocular trauma, sliced throats and a headshot. It's top notch FX and I couldn't help but applaud the effort.

However, at the end of the day the movie is a wicked slow slow slow burn. It takes so long to get to the nitty gritty that no Red Bulls were helping to keep me awake. I understand it's suppose to be this way but Satanic and occult movies are my weakest link within horror and I'll admit, I do not like style over substance. The House of the Devil is filled with these cliches of BOO! scares and unseen carnage. Though as an older horror fan, I am not easily scared as I use to be and as the jaded viewer, I demand to see something substantial and not the repackaged same old same old.

That's not to say the film isn't effective in what it was trying to do. Kudos to West and the entire cast for pulling off an impressive homage to the girl meets devil genre. It's brilliant in bringing back that longing for a movie you'd see at 2am on Channel 11 (WPIX in NYC).

So with that, it's a touch of grey for The House of the Devil. It's got its moments and it's got its long moments. Like a magic eye painting, you'll be waiting for the blurry mess of color to turn into a sailboat. Some people will focus and see the sailboat. Others, like myself wait for hours for that damn sailboat. Hell, sometimes you don't see a sailboat at all.

Nude-ipedia

Nada. These aren't the droids you're looking for.

WTF moment

Gunshot to the face. Didn't see that coming.

The Jaded Viewer's Final Prognosis

Going back on the metaphor I mentioned before, The House of the Devil is a reheated frozen dinner. You've eaten it before and it pretty much tastes the same. But sometimes, if you haven't had that same meal in a while, it tastes a little better. Right? Know what I mean?

The House of the Devil comes out on October 30th in a limited release. You can actually watch it on Amazon.com Video In Demand right now.

This is Ti West's 4th film.

Rating:



Check out the trailer.





jaded viewer related linkage:
Top 5 80s Horror Movies Hollywood Might Actually Think Would Be Good Remakes

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Monday, December 29, 2008

Gutterballs (Review)

Gutterballs

Gutterballs (2008)

Directed by Ryan Nicholson

After watching Return to Sleepaway Camp, I decided to continue the trend of 80s slasher remakes and watched Gutterballs. Straight out the Canadian horror school of horror, it's like watching a hot, voluptuous big breasted blonde scratch a blackboard with Kreuger gloves while being decapitated.

Translation: We got awesome nudity/sex, tons of gore and splatter but really annoying, obnoxious characters who spew out vulgarities a mile a minute.

So when 2 out of 3 things work in your flick, you'll have to take the good with the bad. And so Gutterballs transcends into fun run horror, a great flick that thowsback to the 80s, literally.

Boring Plot-O-Matic

A brutally sadistic rape leads to a series of bizarre gory murders during a midnight disco bowl-a-rama at a popular bowling alley. One by one, players of two teams meet blood-drenched gruesome deaths at the hand of a black bowling-gloved masked killer. This alley runs red with blood by sunrise.

Awesome Review-O-Matic

After a 8 minute intro setting up our 80s stereotypical characters (the jerkoff asshole and his buddies, the punk rock princess and her semi-hot friends with a tranny! and the brotha and his Duckie wearing art school stoners) we get our 80s music at full blast opening credit sequence.

Set in the vague 80s we have a throwdown between our assholes and our arty farty troupe.

Let's get the annoying shit out of the way. I wanted every character to fuckin die. Even the so called "good" guys. They were all assholes. If this is by design, I do not know. I'm pretty sure starting your movie so the audience would hate everybody couldn't be intentional.

But various scenes are cringe worthy and the kill scenes are gloriously ridiculous. A 10 minute rape scene was wickedly weird. It made the Irreversible rape scene seem Disney-ish. Our sadistic jocks pinned the princess and used a bowling pin as a medieval torture device. Totally WTF.

This is in additon to full out hardcore nudity and sex. Clean beavers, full frontal woodsman shots and all the breasts you can see. Wow. I was kinda shocked at first because my 80s horror sure didn't have my teen-core eyes witness that shit.

So this leads to the bowl-off and leads to a jump with glee kills. You'd think a bowling alley would lack any creativeness for some slaughter.

Well my bowling bud, you'd be wrong. The first rule of 80s slasher horror is if you sex it up, you die. And our gutterballs slasher is happy to oblige.

Our killer, in a get up made of a bowling shirt and a backwards bowling bag as a mask made me LOL everytime. Mr. BBK is a ridiculous masked killer, with his bowling weapons arsenal and I couldn't help but root for the slasher. I also couldn't careless whodunits as long as these dip shit asshole twats got butchered.

The various kill scenes seem to get odder, bloodier and grosser as we went along. We get a suffocation by muff and johnson, a bowling pin down the throat and man-gina evisceration. We also get some bowling pin stake ocular trauma, a bowling shoes strangulation and an armored statue head bashing. What else?

We also get a bowling ball wax face ripping and the best of em all, a bowling pin stake up the ass.
A few more throat slashings and shotgun blasts and it's all good.

Gutterballs gore was splatterly fun and over the top and reached ludicrous speed by the twisty-ish ending.

Gutterballs is an entertaining rabid dog, one that keeps biting and biting without a leash in sight. If it wasn't for the F bombs and C bombs uttered every 5 secs, maybe I'd actually know what the characters names were. But when all the assholes die, yay for us.

Gore-ipedia (if you want to be shocked don't read)

The recap again...

Suffocation by muff and johnson
A bowling pin down the throat and man-gina evisceration
Bowling pin stake ocular trauma
A bowling shoes strangulation
An armored statue head bashing
A bowling ball wax face ripping
A bowling pin stake up the ass
Throat slashings
Shotgun blast to the head

Nude-ipedia (because you like boobies)

A clean shaved beaver peek
Princess boobies galore
Skanky boobies
Pudgy boobies
Johnson and johnson and more johnsons (ugh)

WTF moment

The Man-gina surgery....totally sick

The Jaded Viewer's Final Prognosis

I gotta admit. This is one of the 10 best horror movies of 2008. And hence its getting 3 spinkicks. Not every horror movie will have you rooting for a final girl but rooting for everybody to die is still a happy joy joy. Nicholson directed Live Feed (which I ignored because it look like a Saw ripofff) and I remember watching the trailer and thinking Gutterballs is utterly creative and an homage to all 80s slasher.

The vicims reveals (where we see all the victims displayed in their bloody deathy carnage) is a lost art horror form. We need more of that. It's those little things that make Gutterballs a massacre work of art.

So be warned, we've got porn and horror mixed in here. But gorehounds, rejoice! It's a combination that super sizes that happy meal.


Rating:

Check out the trailer below.




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Monday, October 27, 2008

Rewind: Truth or Dare? A Critical Madness (Trailer and Short)

We at the jaded viewer love the old 80s slasher horror of old. Remember all the old VHS boxes at your local mom and pop video stores? That's all you had to go by back then when you were in the mood for horror.

It's how I watched some of the classic 80s slasher flicks. Fuck, I didn't know what was good.
Cover art, a vague description on the back with a few photos and a killer tagline.

If all of those looked awesome, I rented it.

I'm now probably scarred by watching all this horror (all underage of course) but when I see a 80s horror film dug up on YouTube, I get all nostalgy.

Truth or Dare? A Critical Madness is the film that started the direct to video horror market.

Directed by low budget maestro Tim Ritter, it's so fuckin goofy, over the top gory and outright outrageous, it's everything a 12 year old horror kid wanted.

Let's remember the good ole times shall we? The trailer is below.






Check out the original short that gave birth to the feature film. It's sooooooo freakin hilarious.






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Thursday, August 07, 2008

Gutterballs (Trailer)

I stumbled upon the poster for Gutterballs (I love the homage to the Maniac poster) and immediately wanted to check out the trailer which is below.

From the director of Live Feed, it seems they went with a "bad" movie set up which ultimately has gotta be fuckin hilarious.

Cardboard cut out horror slasher, stereoptypical characters and a 80s bowling alley equal the good 80s horror of old.

They've created other poster variations of other classic 80s horror movies (below).
This came out last year so I think I'll be checking it out real soon.




















Check out the trailer below.




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