Monday, May 12, 2008

Frontiere(s) (Review)

Frontiere(s)

Frontiere(s) (2008)

Directed by Xavier Gens

Did all the Fulci disciple horror directors move to France?

It seems like it as the French delivered another splatter-ific, gore-hound's dream, nightmare-phobia world in Frontiere(s).

Just like Inside, this movie is filled with buckets of intense gore and bloodshed. And because of that, I'll forgive the mish mash of American horror genres they put into this mess.

Let me start off by saying, the world thinks America is filled with gun toting, inbred rednecks (with some pockets of KKK and Neo-Nazi-ish pieces of shit in there too).

Well I'm not going to say the US is a cookie cutter wonderland but Europe seems to be fucked up as well. That father from Austria comes to mind. And the French riots in 2005 shouldn't be overlooked as some major problems in France.

So it's good to know there are some inbred, cannibal neo-nazi families on the borderland of France.

Plot-O-Matic

A couple of French hipsters take off to the French frontiere aka border after their Reservoir Dogs heist in riot prone Paris. Yasmine, our pregnant femme and her tough guy boyfriend try to meet up with the other heisters and end up a hostel/inn that has that oh so fucked up family that's worse than your own during Thanksgiving

Influences

The Texas Chainsaw Massacre, The Hills Have Eyes, Haute Tension, The Descent, Hostel, Saw

Rewind the Insanity

OK. It's not very original. Sometimes I think the up and coming French horror directors watch our American horror crap and do the remake thing in reverse.

Dear France,

We currently suck at horror. Don't copy us.

-the jaded viewer (USA)


That's not too say this flick isn't good. It's premise is CTRL-C from our best horror movies as you can see above. But the conventions are copied to a tee.

-Teenagers resting in a seemingly eerie "hostel"

-Oversexed males egos are stroked with some French eye candy "pleasure" with the hot looking sisters

-The patriarch is always some old, white haired, insane brutal killer looking for an heir

-There's the good son who obeys orders

-There's the bad son who does the dirty work

-The Leatherface guy
-The young daughter who's totally bonkers

Yup. Same horror conventions that we've all seen before. But those can be forgiven when all other horror cylinders are working well.

The visuals are clever and scary. The barn interiors and butcher-ish morgue only add to the decadent setting.

And now to the scenes of gore! gore! gore!

The movie is frenetically paced with the scenes of carnage. Each chase is filled with mouting tensions between each slaughter. The ending is done with editing insanity as Ripley-like Yasmine escapes from her captors. Without these scenes of terror and unrelenting gore, Frontiere(s) would be yet another After Dark Horrorfest flick thrown into the used DVD bin.
That's the best part of it. The prudish Hollywood system would never create a movie like this with its over the top gore and savage beating of the heroine.

But it's French so that's just fine and dandy.

And it's dandy to see this all come out.

The Gore-ipedia

Knife trauma, Ankle trauma, Steam trauma, Shotgun trauma, Saw trauma, Butcher trauma, Scissor trauma, Neck trauma and more!

The Jaded Viewer's Final Prognosis

Frontiere(s) is currently out in limited theatrical release and it comes out on DVD on 5/13. French horror has always been cutting edge and they go to the cliff on this one. Frontiere(s) splatter and extreme scenes of carnage makes it's American counterparts look Disney-ish in comparison.

I'm not going to say this made me all giddy like Inside did. But at leastthe gorehound in me was entertained from start to finish.

Rating:

The Trailer



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Tuesday, March 25, 2008

After Dark Horrorfest 2007: The Deaths of Ian Stone and Unearthed

Evil Adam wrote up some reviews for UGO.com for the other 4 After Dark Horrorfest movies from 2007.

As I've been tortured enough by the horror-crap of this entire boxset, his reviews are outright dead on and hilariously twisted.

Check out the reviews for The Deaths of Ian Stone and Unearthed below.

The Deaths of Ian Stone

The Deaths of Ian Stone (2007)

Directed by Dario Piana

Ever get to a point in your movie viewing life where you think to yourself "I've seen it all!" Ever watch a movie and think to yourself "Whoever saw this movie, has seen them all and turned the leftovers into this film."

If not, then The Deaths of Ian Stone is for you.

Read more.





Unearthed

Unearthed (2007)

Directed by Matthew Leutwyler


Consistency is not something we are always accustomed to. Sometimes it is welcome and sometimes it really is not. Ok, so maybe I'm being vague, but here it comes. Bad acting, bad editing, bad sound cues that are supposed to scare you, horrible visual effects, lighting that would only work if everyone was wearing glow in the dark paint, and terrible writing make this one consistent film.

I really hope I didn't blow it all for you with that barrage, but it needed to be said. Of all the films from the After Dark Horrorfest 8 Films to Die For banner, this may be the one that is the most devoid of quality. How do I even begin to destroy the film? Read more.

My review of Mulberry Street posted here originally is also up on UGO.com.

Click here to check it out.

Reviews of Nightmare Man and Lake Dead coming soon!

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Monday, March 24, 2008

After Dark Horrorfest 2007: Borderland (Review)

Borderland

Borderland (2007)

Directed by Zev Berman

When the climax of your opening scene is ocular trauma, you’ve pretty much hooked me, no questions asked. And that’s how Borderland starts and continues until its chaotic, bloody end and in doing so makes it the best movie of the After Dark Horrorfest.
The story is about three high school grads Ed (Jake Muxworthy) our reluctant hero, Phil (Rider Strong “Cabin Fever”) our oversexed third wheel and Henry (Brian Presley) the cocky a**hole. They decide to head to Mexico to sow their oats before they all go off to college. Road trip anyone?

But what separates this movie becoming from a Texas Chainsaw Massacre remake or Hostel or Turistas, is the realism director Zev Berman injects into every aspect of the movie. The scenes of the border Mexican town are lively and chilling. The scenery is filled with docu-style visuals establishing 2 worlds, one where tourists visit and an underground where nobody dares speak of.

After Phil has an awkward situation with a Mexican “Kristen”, Ed meets a sexy, feisty bartender named Valeria. And that’s when the tourist world ends.

Soon after, one of them gets kidnapped by a drug cartel. But this is not an ordinary smuggling ring. They are a black magic obsessed drug dealers who believe that human sacrifice enables them to become “invisible” from authorities.

The 2 other gringos ask the authorities for help but are shunned. Instead they meet Ulises an ex cop who tells them about the cult, their location and agrees to help them free their friend.

The real surprise that had me shaking my head was Sean Astin (Rudy, LOTR) in a mind bending, defining role. As Randall, the unlikely American who keeps an eye on the hostage, Astin plays an evil, maniac brute. It’s an outstanding performance by Astin who plays this character to perfection.

With these stellar performances, we get our fill of gore and more gore. Arm chopping, machete splitting and some gruesome beheadings. These all are from our brainwashed cult members and our step up to the plate hero, Ed. The final scenes are frenetically paced, with a few good moments of suspense and an all out bullet ridden shootout finale.

Borderland works as both a crime thriller and horror movie that it actually raises both parts to ingenious levels. It’s stark realism and because it’s loosely tied to a true story that occurred in 1989 give it that truthiness feel. Borderland does not skimp out on the splatter, diligently gives us pieces to a horrific crime and creates a movie that has no definitive genre, making it borderless. That’s why it’s the perfect and best of all the Horrofest movies.

The Extras:

The extras are on this DVD are as good as it gets. There are only 2 features but both are great. The first is Inside Zev’s Head: A Filmmaker’s Diary. At 20 minutes, it’s a great day to day behind the scenes documentary of the making of the movie. Here you get to hear Zev Berman on his inspiration for the film, the on the set problems and his philosophy on making movies.

The other feature is Rituales de Sangre – The True Story Behind the Cult Murder Investigation. This 28 minute feature focuses on an interview with George Gavito, a former Deputy Sheriff from the Brownsville, Texas police. He gives a first hand account of the true crime and the investigation that followed. It was totally mesmerizing experience as they showed real footage of the Mexican ranch where these human sacrifice murders occurred. The amateur video also shows the men who carried out these crimes and the aftermath by Mexican Federales to take down the cult leader of the group.

There is also audio commentary with the director Zev Berman, actor Brian Presley, Director of Photography Scott Kevan and Producer Lauren Moews.

Included in all of the After Dark Horrorfest DVDs are the Miss Horrorfest Contest webisodes. Think Surreal Life meets the Misfits. It’s a VH1 version of the Suicide Girls.
Rating:



The Trailer:




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Sunday, March 23, 2008

After Dark Horrorfest 2007: Tooth and Nail (Review)

Tooth and Nail

Tooth and Nail (2007)

Directed by Mark Young

“Laws are the only things that separate us from savagery. Because the beast is there inside all of us watching…waiting. When civilization is no longer there to protect us, when the beast is the only thing standing between us and death, we will absolutely fight tooth and nail to survive.”

I love when they mention the title of the movie in narrated dialogue. Doesn’t it always justify a cool sounding title? But in this case, it’s really just filler for a mediocre stab and jab movie.

A couple of questions popped into my head after watching Tooth and Nails.

Why does post apocalyptic Philadelphia look like modern day Philadelphia?

So when the world runs out of gas we somehow turn into blood thirsty cannibals?

Can an abandoned hospital setting dictate every scene in your movie?


Well the answer to that last question is yes. And that’s the setting of Tooth and Nails.
So if you were looking for a Mad Max America, you’re out of luck dude.

When the world runs out of gas in 2012, the world is consumed into anarchy; chaos and destruction the opening narration tell us. Smart survivors all head south but a few remain behind in good ole Philly (really? Philly?) We meet a group of survivors who are living in an abandoned hospital who are intent on rebuilding society.

Director Mark Young wasn’t being very subtle with his car/gas analogy. The characters are initially intriguing as they all have car like names. We meet Ford (Rider Strong, “Cabin Fever”) who is the loose cannon of the group, Viper (Michael Kelly) the muscle, Torino (Alexandra Barreto) the sexy vixen, Nova (Emily Young) the mute kid, Darwin (Robert Carradine) the professor and de facto leader and finally Dakota (Nicole DuPort) our Buffy-ish heroine.

They rescue a young girl Neon (Rachel Miner, “Penny Dreadful”) who has been attacked by “Rovers” who are packs of humans that have turned to cannibalism to survive in this hellish doomsday world. Neon tells them the Rovers have murdered her family. The Rovers wait until night to hunt their prey but only kill one at a time so their meat is fresh. Of course this begs the question, why don’t they just capture all of them and just lock em up. But then you wouldn’t get 90 minutes of stalk, hide, stab/shoot, run.

As the story progresses, our little 90210 group gets picked off one by one by the Rovers. Included in this group is Mr. Blonde himself Michael Madsen and Vinnie Jones in various extended cameos. The Rovers are of course dressed in your standard issue Mad Max, Road Warrior, Hills Have Eyes attire. They are also armed to the teeth with a variety of weapons that were picked up at the Medieval Times gift shop.

And there you have it. The gore factor kills are a plenty but sort of predictable and boring. Hatchet chopping, cleaver through the head, sliced throats, spear through the chest, arrow in the eye, acid dissolving face and battle axe through the head (not necessarily in that order).

There are some added sex scenes that seem very out of place (but alas because it is a horror movie they do have to follow some “Scream” rules). As the group fights for survival, an obvious twist is inserted that can only be summed up by one word: Yawn.

We conclude with Dakota outsmarting the Waterworld rejects and in an out of character bizzaro finale she goes all Braveheart on the remaining Rovers.

Logic here is totally thrown out the window and this movie should have been as well. The movie never defines what it wanted to be. I watched a Discovery channel show about the possibility of the world running out of gas and it was never this dire. Are we to believe that when we can’t fill our SUV’s anymore, we will become all become Dahmers in waiting?

Tooth and Nail is so preposterous its only redeemable value is that it’s MST3K worthy. So if you’re looking for a post apocalyptic world filled with cannibal hunters, go rent the cult classics instead. You’ll be spared this tooth and nail torture.

The Extras:

Included in all of the After Dark Horrorfest DVDs are the Miss Horrorfest Contest webisodes. Think Surreal Life meets the Misfits. It’s a VH1 version of the Suicide Girls.

Rating: 1/2



The Trailer:



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Wednesday, March 19, 2008

After Dark Horrorfest 2007: Crazy Eights (Review)

Crazy Eights

Crazy Eights (2006)

Directed by James Koya Jones

That’s 80 minutes I’ll never get back. That would be my quote if it appeared on the DVD cover of Crazy Eights.

So instead of a review that thoroughly shreds this movie, let’s go with a revised TV show theme song.

Just sit right back and you'll hear a tale, a tale of a fateful trip
That started at this abandoned house aboard this horror flick
The main character was a mighty professor, the priest was brave and sure,
Four badly written horror characters set sail that day for a 80 minute tour.

a 80 minute tour.

The movie started getting rough, each horror cutout stereotype started to die.
If not for some dialogue about an angry, evil supernatural little girl who wanted revenge because of guilt?!?, the audience would be lost.

The audience would be lost.

The movie set ground on the shore of mediocrity
With Dina Meyer, Frank Whaley too, some other guy and his wife (ok not really his wife, that just needed to rhyme),
Traci Lords, the Priest and Gabrielle Anwar, here on Crazy Eights Isle!

That was fun. Suffice it to say I didn’t like Crazy Eights. It’s mind boggling that this was part of the After Dark Horrorfest. These 8 movies are supposed to be shunned by the mainstream as having dark or disturbing subject matter. But Crazy Eights is like a horror TV movie of the week.

The plot-matic tells us 6 friends have gathered for a childhood friend’s funeral and discover a map to a wooden trunk. The contents are all things from their mysterious past which eventually leads them to an abandoned house (because abandoned house are freakin scary). There they see glimpses of a little girl who has long black hair and raggedy clothes (and no she didn’t climb out of a TV). The horror gods trap them in and they begin to search for a way out discovering clues to their mysterious childhood along the way. They all eventually get picked off one by one which is done mostly off screen (the most aggravating horror movie convention) Gore hounds, you do not need to see this muck of a movie.

The cast is the most recognizable of all the Horrorfest movies. Dina Meyer (Saw franchise), Frank Whaley (“Big Brain on Brett” from Pulp Fiction), Traci Lords (c’mon you know), Gabrielle Anwar (Body Snatchers), George Newbern and Dan DeLuca who also co-wrote the film. All are in acting class mode and regurgitate badly written dialogue and overact when they are in danger.

Director James Jones vision is atmospheric, using his prime location of an abandoned asylum to dictate the “scares” from an arm grabbing hand to a missing jaw. But this crappy snooze fest is just filled with emotional psycho babble dribble and a script that is so boring, it makes straight to DVD torture porn look like Citizen Kane.

Crazy Eights seemed to have a good premise and a creepy location to draw out a disturbing story. But just like the cast of Gilligan’s Island, it never gets off the island and you sit there wondering, where did my 80 minutes go?

The Extras:
Included in all of the After Dark Horrorfest DVDs are the Miss Horrorfest Contest webisodes. Think Surreal Life meets the Misfits. It’s a VH1 version of the Suicide Girls.

Rating: 1/2


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