Friday, May 29, 2009

Pontypool (Review)

Pontypool

Pontypool (2009)

Directed by Bruce McDonald

When you're me, you think you've seen every kind of horror film ever made. Especially when it comes to zombie films. So when I went to go see Pontypool, I figured I'd be seeing another variation of The Signal or Pulse or 28 Days Later. You know, that old run of the mill story of zombies hordes attacking stereotypical survivors trapped in a confined space.

But I was shocked that Pontypool was a totally different type of pretzel I've never seen before.

It's an actually intelligent virus turning the masses into a bunch of crazies type movie that can be perceived in many ways. Is it a satire of censorship? A commentary on geopoliticalisms? Or is it just a suspense driven horror film to scare the crap out of you.

Well, it's all 3 and so much more.

Pontypool is definitely this years The Signal (which I ranked #3 on my Top 10 Horror Movies of 2008). Yes, Virginia you can make a movie about a virus gone awry and make it thought provoking and clever. We can thank the Canadians for making that. Hollywood hasn't done this in years. Even the great George A. Romero can't satire zombies in an intelligent way. Jeez.

Boring Plot-O-Matic

Shock jock Grant Mazzy has, once again, been kicked-off the Big City airwaves and now the only job he can get is the early morning show at CLSY Radio in the small town of Pontypool which broadcasts from the basement of the small town's only church. What begins as another boring day of school bus cancellations, due to yet another massive snow storm, quickly turns deadly.

Bizarre reports start piling in of people developing strange speech patterns and evoking horrendous acts of violence. But there's nothing coming in on the news wires. So... is this really happening? Before long, Grant and the small staff at CLSY find themselves trapped in the radio station as they discover that this insane behavior taking over the town is being caused by a deadly virus being spread through the English language itself.

Do they stay on the air in the hopes of being rescued or, are they in fact providing the virus with its ultimate leap over the airwaves and into the world?

Awesome Review-O-Matic

You would think a movie that takes place in one area (a radio station) and that relies at length on the dialogue would be a dull movie. However, it's the constant setting of a church basement radio station that makes for a good case of clausterphobia run amok. And it's a kudos to the actors whose performances mesmerize you with their voices.

With the recent swine flu outbreak, it's fitting that we'd see a movie that is about how the media would react to a killer virus. Lets see what have we learned? First, panic everybody. Second, panic some more. Third, try to verify the information and gather patients or eyewitnesses to shed some light on the outbreak. Finally, offer advice that leads to more panic.

This is pretty much how Pontypool goes about covering a weird outbreak in the small Canadian town of Pontypool. Grant Mazzy (Stephen McHattie) is a semi Imus clone, outspoken brash and Chomsky-ish. He wants to talk the talk but is forced by his producer Sydney Briar (Lisa Houle) to be the more professional DJ. Mazzy is eager to get his listeners thinking but Sydney scolds him and forces at the scene reports from Ken Loney in the "Sunshine Chopper". Assisting Sydney is war veteran Laurel (Georgina Reilly) who could be a Anna Farris lookalike. She techs up and screens the calls for Mazzy's show.

The set up of another mundane day in the snowstormed town of Pontypool is interrupted by a breaking story of a huge riot at a doctor's clinic (who makes an appearance later on). Mazzy, eager to run with the story before its verified battles his producers before succumbing to having to interview and hear a song from a troupe of actors in Lawrence of Arabia.

Later, Mazzy interviews Ken Loney, the "on the field" reporter as he describes the chaos. It's done "War of the Worlds"-ish. I would have never imagined watching a movie that relies on a radio drama to get the story moving. We are suppose to be watching a MOTION PICTURE, but the 180 we get here on hearing rather than seeing makes it mesmerizing to watch. McHattie's voice and concern seem dirty realistic.

It's the same way you get when you hear NRP's "This American Life" where the sounds and your imagination create much more than any visual could. Some humor is also thrown in when Mazzy is interviewed by a BBC affiliate looking for answers on the chaos.

The virus then hits home, when poor Laurel gets infected causing her to go all mumbly. Locked in the sound booth, we then meet the ever fluent Dr. Mendez. Some light is shed on what may be causing people to go crazy. The doc and a hacked military signal tells our heroes and us that the English language is responsible for the insanity. Yes you read that right. The English language. Soon our heroes are forced to speak Rosetta Stone French to keep sane.

The last half of the movie has Mazzy and Sydney doing the old reliable run and hide amidst the invading now dictionaried and zombified masses pouring into the station. It's tenseful at times, possibly even 3% scary, though nothing a 13 yr old couldn't handle. As we head to the final 15, the thought bubbled lightbulb goes off for Mazzy but not before we get an apocalypse.

So how do you interpret a movie where a virus is spread thru language? Especially the English language.

Bruce McDonald, the director was on hand during the screening I attended and vaguely Area 51d an explanation of the multi-verse theories. It's open to many interpretations he said. I sensed for the most part that Pontypool was a crack at Americanism and how we spread our language, our values and our very annoying pop culture throughout the world.

Does one's culture get lost when they adapt another culture's language and values? Lots of interesting questions are posed. We often joke Canada is the 51st state. Could this actually happen in say 50 years?

Language is power and how we use it is subliminally virus and disease like and perfectly satirized in Pontypool. We can spread ideas through language that affect us all. Even McDonald quipped during the Q&A that Pontypool was picked up to be distributed in South Korea with the tagline "Fear English!".

Pontypool is intelligent, witty and thought provoking and reminds us perfectly how the horror genre can be used to satire the world we live in. It's punched a spot into my list of top 10 horror movies of 2009.

So take off that white mask and head outside. No time to be paranoid about H1N1....your next words could be your last.

WTF moment

Laurel going all word sick and crazy
"Sydney Briar is not dead" chant

The Jaded Viewer's Final Prognosis

First some fun facts about the movie.

-The movie is adapted from Tony Burgess book "Pontypool Changes Everything"
-It was shot in 15 days and in chronological order
-Stephen McHattie and Lisa Houle are married in real life
-McDonald also directed the Tracy Fragments which starred Canadian hottie Ellen Page

For more information head over to the IFC.

Oddly enough I can actually use the same final description I gave the Signal for Pontypool.

"... [It] is not entirely horror, but is sort of an artsy cinema engulfed in a horror apocalypse."

Now be quiet.

Rating:


Check out the trailer.






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Monday, February 23, 2009

Dark Island (Trailer)

The indie scene seems to not be affected by the recession. Well it could be the fact that these type of movies have miniscule budgets that any relative profit they make is a plus.

So its interesting to see directors and writers try different things. In the case of Infected (now called Dark Island), it looks like they're going for a sci-fi/horror/action mish mash of Lost meets the Signal. From the looks of the trailer, we've got a smoke monster, infected sicko killers and an island were deadly government experiments have gone wrong (Dharma anyone?)

Plus we got some search and rescue commandos who you know are not all gonna make it out alive.

Check out the trailer below courtesy of Twitch.




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Tuesday, April 22, 2008

The Signal (Review)

The Signal

The Signal (2008)

Directed by David Bruckner, Dan Bush and Jacob Gentry

"Do you have the crazy?"

Fuck yeah I do. I'm crazy for The Signal, which is one the best movies of 2008.

Let me start off by saying the jaded viewer is jaded because I've seen a lot of horror and underground movies. So when I tell you I like a movie, it's fuckin rarity rare.

Your movie doesn't have to be an original idea (The Signal is more of a few ideas thrown into one) but when you can pull off a solid piece of storytelling, glue in some splatter and chaos and throw in a few scenes of LOL, it makes for an awesome, most totally good time.

And that's exactly what The Signal does.

I really hate how Hollywood churns out PG-13 turd burger after horror turd. So when 3 directors can team up and shell out a gem like this, it totally gives me a happy.

Told from 3 different perspectives and directed by each director in their own unique style, each has it's own personality and blends in nicely to form a coherent film.

The movie starts off with a WTF moment but then slowly transitions into a visceral apocalypse.

First we start off with David Bruckner's "Transmission I" and we are introduced to Mya (Anessa Ramsey) and Ben (Justin Welborn).

<--Tangent Alert!!!!-->

Throughout the whole movie I thought Mya was being played by Christine Elise and not Anessa Ramsey. They look very similar to me. I have no idea why.

I was shocked when it was a different actress. The signal must have infected me. Where's my hammer?

<--Tangent Alert!!!!-->

Mya is cheating on her husband with Ben and then that's when all hell breaks loose. The signal, a flurry of colored images and a shrieking sound start broadcasting on every TV, radio and cell phone (though no Internet huh?).

Then everybody goes fuckin nuts.

Mya returning to her apartment has her husband go all Barry Bonds on his friends. Escaping she see's her neighbors go insane and start Voorheesing with knives and garden shears.

It's a great opening 40 or so minutes, chilling, totally manic and the carnage is beyond comprehension. Your sad to see this segment go but the one to follow is like the X-Files series. One episode is monster of the week, the next is light hearted Lone Gunmen fluff.

Dan Bush's "Transmission II" goes all Evil Dead by being funny and goofy. It's odd to go into post apocalyptic humor mode, but it works here. Here we meet a Pleasantville 3 as the interactions between Lewis (AJ Bowen), Anna (Cheri Christian) and Clark (Scott Poythress) are hilarious. There are some horroromedy Three's Company like moments as each of them tries to figure out "who has the crazy" The climax comes in the form of a Mr. Furly like character Jim Parsons (Chad McKnight) who had me LOLing milk out my nose.

Finally "Transmission III", Jacob Gentry's conclusion goes into Cronenberg and Danny Boyle mood as the escape from Terminix is a redux of all zombie finales. Ben searches for Mya with the help of Clark. This trimester has the tone of the first 2 and intersplices both and concludes into an eerie downer of an ending (which I always like).

I really hate happy endings. Horror movies that end with a negative are always good in my book.

As I said before, The Signal isn't original (I first thought of Romero's The Crazies and Cronenberg's Videodrome). But originality can be forgiven if the characters and the carnage never get boring.

The satire of our reliance on technology and our never ending need to be "plugged in" is ever evident. As one character states: "...rational behavior has given way to primordial action..." Do we all turn into savages when we run out of hot water or we can't watch TV? (One time I had no cable and I thought I was going to go insane)

I do have to gripe about this film in that, like Cloverfield nothing is ever explained. We get a theory from one of the characters what the signal is but that could be just mindless ramblings from his insanity. Also, part 1 could have easily carried the movie into part 3 and bypass the sitcom-ish part 2. Finally, explaining why something is happening doesn't diminish the idea if done well. It's called motive and as a viewer, we need motive. Just suspending disbelief sometimes doesn't work.

The Signal is not entirely horror, but is sort of an artsy cinema engulfed in a horror apocalypse. Some of us lived in a time without the Internet (yeah I know I just dated myself). So I know when a film challenges this new Internet generation with a film of brainwashing insanity and brute rawness, it's totally new and a breath of fresh air.

I mean seriously, when you IMDB or Wikipedia a film right after you've seen it, you know you reaaaaaaally liked it right?

The Signal will go into the horror cult of fame and is one of the best horror movies of 2008.

And that's why The Sign-dfshgsdhgklsjfdbgsdfngluithgikhefwoaehrgjenbkjsbfklrjegb

Whoa my screen just went all fuzzy and psychedelic and now I hear a shrieking noise.

You hear that?

Oh fuck me.

Rating:


Trailer:







More images:



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Sunday, January 13, 2008

Top 6 Must See Hollywood Horror/Underground/Indie/Cult Movies of 2008

As I am still compiling my list of Top 2007 Horror/Underground Movies of 2007, below you will find the Top 6 anticipated Hollywood horror movies of 2008 with the trailers so you can be overhyped like the rest of us.

6.) Funny Games (US remake)

Release Date: March 14, 2008

Michael Haneke's remakes his own film for US Audiences. It's a shot by shot remake of his classic psycho thriller. It stars Naomi Watts and Tim Roth.

Trailer:




5.) Cloverfield

Release Date: January 18, 2008 (like you didn't know)

Do I really need to explain this one?
Just go read my theory of what I think the monster is.

Trailer:




4.) Doomsday

Release Date: March 14, 2008

Neil Marshall, the director who gave us Dog Soldiers and The Descent is back with a futuristic 28 Days Later like scenario that can only be terrifying and scary as shit.

Trailer:

No Trailer Yet.


3.) The Signal

Release Date: February 22, 2008

What happens when you hear a mysterious signal and it causes everybody to turn into cold blooded psycho killers?

Run away!

Trailer:




2. ) The Poughkeepsie Tapes

Release Date: ???

Serial killer tapes his own murders (ala August Underground) and the footage is found. Gets put on YouTube in a matter of hours.

Trailer:




1.) Diary of the Dead

Release Date: February 15, 2008 (limited), May 20, 2008 (wide)

It's #1 because it's Romero + Zombies = AWESOMENESS. Did I mention it's freakin Zombies! The premise is all Blair Witch-ish but that won't stop this from giving us our zombie fix.

Trailer:

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Tuesday, October 09, 2007

The Consolation Prizes of American Horror

So as we wrap up 2007, Hollywood is churning out some horror that may or may not be worth 2 shits. Below is a list of some either gems or turds with extra corn.

1.) 30 Days of Night

The Blah Blah Blah:


Vampires in Alaska. Did I just write that?




2.) Saw IV


The Blah Blah Blah:


Is Jigsaw the new Chucky? Seems like it after the 4th effin sequel.


3.) The Signal

The Blah Blah Blah:

Cell phones make people go insane. That happens everyday in NYC.

4.) P2

The Blah Blah Blah:

More torture-core? Please stop. I mean I'm one Captivity away from torturing some innocent woman.

5.) The Mist

The Blah Blah Blah:

When weather becomes the unstoppable evil, I feel like they're not even trying anymore.

That's all theatrical for now. I left off release dates because I mean all of the above makes me want to have Hatchet face slice me open.

There are a few straight to DVDers that peaked my interest.

Wrong Turn 2 (ooooooooooh)

Return to House on Haunted Hill (with their gimmicky "You Choose their fate" function)

Black Sheep

...and countless others. I think it's time I rejoin Netflix.

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